SUMAY is my jewellery line.
Metalwork, precision and a slow process. Made-to-measure and commissioned pieces, worked by hand in noble materials and refined with the digital tools I use daily in product design.
In the factory I design so that a hundred thousand identical parts come out.
Here every commission asks for a solution that will not work for the next one.
I come from a background tied to craft. After two years of artistic ceramics, in 2025 I trained in jewellery-making techniques. Both disciplines teach the same thing: the material leads, and your job is to listen before imposing anything on it.
I work silver and gold by hand, and use 3D modelling and prototyping to test proportions before casting. Craft in front, technology behind.
Every piece, a different answer
Experiment and commission
SUMAY is both a testing ground and a service. I create made-to-measure and commissioned jewellery in noble materials, looking after every step: pieces are made by hand and refined with the latest modelling and prototyping technology.
Every piece travels in a glazed ceramic box, painted by hand. It is not packaging you throw away: it stays with you once the jewellery is on.
Concept and design
Before the metal there is the model. I use the same product tools — 3D modelling, rendering, proportion and weight studies — to see the piece worn before casting anything.
How a commission works
The idea
We start from what you have in mind: an occasion, a shape, a material or an inherited piece you want remade. We develop it together until it is clear.
The model
I draw and model the piece in 3D to see real proportions and weight before touching any metal. You see the model and we adjust it.
Delivery
Silver and gold worked by hand, in its ceramic box. Three to five weeks, with photos of the process along the way.
Tell me what piece you have in mind
Let us design the future together
Tell me where you are now and I will tell you where I would start. No cost, no strings.